I remember the very, very first time that I smoked DMT. It was sort of a benchmark, you might say, and I remember that this friend of mine that always got there first visited me with this little glass pipe and this stuff which looked like orange mothballs. And since I was a graduate of Dr. Hofmann’s, I figured there were no surprises. So the only question I asked is, ‘How long does it last?’ and he said, ‘About five minutes.’ So I did it and… [long pause, audience cheers] there was a something, like a flower, like a chrysanthemum in orange and yellow that was sort of spinning, spinning, and then it was like I was pushed from behind and I fell through the chrysanthemum into another place that didn’t seem like a state of mind, it seemed like another place. And what was going on in this place aside from the tastefully soffited indirect lighting, and the crawling geometric hallucinations along the domed walls, what was happening was that there were a lot of ahh.. beings in there, what I call self-transforming machine elves. Sort of like jeweled basketballs all dribbling their way toward me. And if they’d had faces they would’ve been grinning, but they didn’t have faces. And they assured me that they loved me and they told me not to be amazed; not to give way to astonishment. And so I watched them, even though I wondered if maybe I hadn’t really done it this time, and what they were doing was they were making objects come into existence by singing them into existence. Objects which looked like Fabergé eggs from Mars morphing themselves with Mandaean alphabetical structures. They looked like the concrescence of linguistic intentionality put through a kind of hyper-dimensional transformation into three-dimensional space. And these little machines offered themselves to me. And I realized when I looked at them that if I could bring just one of these little trinkets back, nothing would ever be quite the same again. And I wondered, Where Am I? What Is Going On? It occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own, and then I thought a more elegant explanation would be to take it at face value and realize that I had broken into an ecology of souls. That somehow I was getting a peek over the other side. Somehow I was finding out that thing that you cheerfully assume you can’t find out. But it felt like I was finding out. And it felt… and then I can’t remember what it felt like because the little self-transforming tykes interrupted me and said, “Don’t think about it. Don’t think about who we are… Think about doing what we’re doing. Do it! Do it! DO IT NOW!!!”
What they meant was use your voice to make an object. And as I understood, I felt a bubble kind of grow inside of me. And I watched these little elf tykes jumping in and out of my chest; they like to do that to reassure you. And they said, “Do it.” And I felt language rise up in me that was unhooked from English, and I began to speak…
DMT is good like that.
Reminds me of my first time doing dmt except the beings were mostly talking to my friend and I observed as he tried to spin energy together with his hands while they shook their what i perceived as heads. So short an experience yet so life changing…
Artist Peter Cook, grew this living garden chair using tree shaping methods, primarily training a living tree through constricting the direction of branch growth. The chair took about eight years to grow
This dude spent eight years growing a chair